Bayazid Hossain

THEATRE

Play: All Quiet On The Western Front

 Based on Erich Maria Remarque’s War Time Epic On Stage
Direction: Bakar Bakul
Playwright: Runa Kanchan
First Show: 23 April, 2025
Venue: National Theatre, Bangladesh Shilpakala Academy

My role: Assistant Scenographer

Synopsis: Driven by the nationalistic fervor of their teacher, Kantorek, young Paul Bäumer and his classmates—Müller, Albert, Kemmerich, and Behm—abandon their dreams of poetry and forestry to enlist in the “Great War.” Energized by romanticized visions of heroism and patriotic songs, the five friends march eagerly toward the front lines.

However, the glory they imagined is quickly shattered by the grim, mechanical savagery of the trenches. As the boys realize they are nothing more than expendable bodies, the romanticism of battle dissolves into a nightmare of mud and blood. From the agonizing death of Behm to Paul’s harrowing face-to-face encounter with a dying “enemy” soldier, the group is forced to confront a haunting question: In a war where the common soldier has no quarrel with his neighbor, who truly stands to gain from this ceaseless slaughter?

Play : A War Heroin I Speak

Based on ‘Ami Birangana Bolchi’ by Dr Nilima Ibrahim
Design & Direction: Dr Syed Jamil Ahmed
Playwright: Mohsina Akter
First show: 16 June, 2023
Venue: National Theatre, Bangladesh Shilpakala Academy

My role: Light Projectionist

Synopsis: In 1994, for the first time, a book titled Ami Birangana Bolchi was published in independent Bangladesh. The book contains the life stories of seven women. These seven women come from different classes and backgrounds of society. Some are daughters of farmers, some from lower-income families, and some from relatively well-off households. Despite their different family and social conditions, they share one common identity — they are “Birangana.”
Through these seven voices, the book presents a larger truth: during the Liberation War, they endured unimaginable torture and oppression. However, after independence, instead of receiving honor and social acceptance, many of them had to face neglect, humiliation, and discrimination.
The term “Birangana” was officially given to recognize the women who suffered sexual violence during the war. But in reality, this title often failed to ensure them dignity in society. The book questions this contradiction — why were these women honored in name, yet marginalized in practice?
By recording their testimonies, the author highlights not only their suffering but also their courage and resilience. The book gives these women a chance to speak in their own voices, reclaiming their identity and demanding rightful recognition in the history of Bangladesh.

Play: Adam Surat

Based on Erich Maria Remarque’s War Time Epic On Stage
Direction: Bakar Bakul
Playwright: Bakar Bakul
First show: 25 January, 2023
Venue: National Theatre, Bangladesh Shilpakala Academy

My role: Assistant Scenographer

Synopsis: “Adam Surat” ignited critical acclaim and fervent discussion in Dhaka during 2023, written and directed by Bakar Bakul. This powerful work presents a series of fragmented visual narratives, confronting audiences with the raw brutality and ethical dilemmas of everyday life. Eschewing traditional dramatic structures, “Adam Surat” prioritizes raising profound questions about human accountability. Premiering at the “Ali Jaker Notuner Utshob,” the production’s critical and popular success led to 13 subsequent sold-out performances, engaging approximately 3,500 viewers. Notably, “Adam Surat” showcased the talent of 40 enthusiastic young artists, a testament to Tarua’s commitment to cultivating emerging talent.

Play: Let Me Out

Based on Erich Maria Remarque’s War Time Epic On Stage
Direction: Bakar Bakul
Playwright: Runa Kanchan
First show: 14 September, 2023
Venue: Nilima Ibrahim Hall, Bangladesh Mohila Samiti

My role: Assistant Scenographer

Details: Adapted from a compelling true story set in 1920s Los Angeles by Runa Kanchan, “Let Me Out” resonates powerfully with contemporary social issues. This production, featuring a cast of 20-25 artists, captivated audiences across 23 performances at the Nilima Ibrahim Auditorium, Bangladesh Mohila Samiti, drawing an estimated 5,000 viewers. The inaugural ceremony was graced by esteemed theatre luminaries, including Asaduzzaman Noor, Ramendu Majumder, and Mamunur Rashid, underscoring the production’s significance.